the thought studio.
a collection of inspiration
the thought studio.
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likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
likeafieldmouse:

Araya Rasdjarmrearnsook - Two Planets/Village and Elsewhere (2008-12)
“Every life is in search of a narrative… For the storytelling impulse is, and always has been, a desire for a certain ‘unity of life’. In our own postmodern era of fragmentation and fracture…narrative provides us with one of our most viable forms of identity - individual and communal’” - Richard Kearney
“Two Planets/Village and Elsewhere is about the village (the here) and elsewhere (the there) and how stories link people across continents, cultures and even time-periods. 
Rasdjarmrearnsook brought some visitors from elsewhere to her village in northern Thailand. The visitors came in the form of unfamiliar paintings and they told stories from long ago and far away: of dances in Parisian cafés, nude picnics and haymaking. These paintings by Renoir, Manet, and Van Gogh prompted the villagers to share their own stories.”
disminucion:

(by Kilian Schönberger)
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Uta Barth - In Passing (1995-7)

Uta Barth - In Passing (1995-7)

Uta Barth - In Passing (1995-7)
ZoomInfo
visualgraphic:

Mouth Series by Paolo Ceric
visualgraphic:

Mouth Series by Paolo Ceric
visualgraphic:

Mouth Series by Paolo Ceric
visualgraphic:

Mouth Series by Paolo Ceric
"Do not let making a living prevent you from making a life."
John R. Wooden (via wildernessbound)
ryandonato:

Ernesto Artillos
artruby:

Dan Flavin, untitled (to Christina and Bruno), 1966-71 at David Zwirner NY
ROCKET
"

I am one of the searchers. There are, I believe, millions of us. We are not unhappy, but neither are we really content. We continue to explore life, hoping to uncover its ultimate secret. We continue to explore ourselves, hoping to understand. We like to walk along the beach, we are drawn by the ocean, taken by its power, its unceasing motion, its mystery and unspeakable beauty. We like forests and mountains, deserts and hidden rivers, and the lonely cities as well.

Our sadness is as much a part of our lives as is our laughter. To share our sadness with one we love is perhaps as great a joy as we can know - unless it be to share our laughter.

We searchers are ambitious only for life itself, for everything beautiful it can provide. Most of all we love and want to be loved. We want to live in a relationship that will not impede our wandering, nor prevent our search, nor lock us in prison walls; that will take us for what little we have to give. We do not want to prove ourselves to another or compete for love.

For wanderers, dreamers, and lovers, for lonely men and women who dare to ask of life everything good and beautiful. It is for those who are too gentle to live among wolves.

"
James Kavanaugh 
darksilenceinsuburbia:

David Cooley. Caustic Cynicism. Acrylic, spray paint and fabric, 44 x 36”.
w4lrusss:

// by Fanny Schlichter on Flickr.